Character: George Wilson
Character: George Wilson
Introduction
- George Wilson is portrayed as the long-suffering husband of Myrtle and owner of a run-down garage in the “valley of ashes”.
- Unlike many of the novel’s characters, he is not of the upper class, representing the overlooked American working class of the 1920s.
Personality
- George is depicted as a hardworking, honest, and earnest individual who is weighed down by life’s hardships.
- Despite his bleak circumstances, he holds onto a naive faith in the American Dream, demonstrating his hope for a better life.
- His gullibility and passivity highlight his stark contrast with the novel’s other male characters who are often depicted as assertive and manipulative.
Relationship with Myrtle
- George’s relationship with his unfaithful wife, Myrtle, reveals his naiveté and vulnerability.
- Even though it’s clear to the reader that Myrtle detests her life with George, he remains oblivious, showing his inability to perceive the world truly.
- His devotion to Myrtle, in contrast to Tom’s callous treatment of her, makes him a sympathetic character.
The Spectacles and the Billboard
- George is closely associated with the faded billboard of Dr. T.J. Eckleburg – a metaphor often interpreted as representing the eyes of God.
- When he believes that the eyes of T.J. Eckleburg are watching him, it reveals his internalized guilt and his belief in a moral universe, a stark contrast to the other characters’ hedonistic lifestyles.
Impact on the Plot
- George’s discovery of Myrtle’s affair and her eventual death triggers the tragic climax of the story.
- Driven to extreme actions due to his grief and desolation, George becomes the agent of final justice, tying the threads of the tragedy together.
Summary
In The Great Gatsby, George Wilson, though seemingly a minor character, carries significant importance. His humble, diligent character offers a powerful contrast to the careless and morally decadent upper-class individuals. His misplaced trust in the American Dream and his tragic end serve to critique the hollow promise of social mobility in 1920s America.